Anne of Galactic Gables by Tom McHenry

Have you ever wondered what Anne Shirley would be like if she traveled to outer space? Well, comic and zine creator Tom McHenry has imagined it out for you.

In McHenry's one-off webcomic, Anne and Matthew Cuthbert are traveling through space. Anne is ashamed to be wearing a "horrid old wincey" spacesuit. Then she lightens up, smiling and asking Matthew about the blue planet they arrived at. When Matthew explains that it's called Earth, Anne replies, "They shouldn't call it 'Earth.' There's no meaning in a name like that. They should call it 'The Azure Orb of Delight.'"

McHenry's sci-fi comic based on Anne of Green Gables was featured in an article called, "When Classic Literature Gets Updated" by Graeme McMillan at io9.com. McMillan writes, "Move over, Pride and Prejudice And Zombies, a new updating of classic literature has come along to win your heart... Or at least make you laugh. Yes, it's Anne of Green Gables... in space."

On his livejournal, McHenry explains his inspiration: "Sara and I have been reading the original Anne novels (not my ill-fated science fiction sequels including Anne of Lavaworld and Rilla of Planetside) aloud before bed."

At io9, McMillan goes on to say, "The strip was just one of McHenry's "Future and Space Things" themed week of comics, alongside Space Yuppies. More proof that more people should be forced to come up with science fiction when they least expect it." I heartily agree. I enjoyed reading this fantastic and fun comic.

Created February 16, 2009. Re-posted online April 17, 2024. Last updated April 17, 2024.
© worldofanneshirley.com

National Post Review of Lucy Maud Montgomery: The Gift of Wings

Judy Stoffman wrote a comprehensive review of Lucy Maud Montgomery: The Gift of Wings by Mary Rubio for the National Post titled "Beyond the Red Haired Girl: Her Fiction May Be Upbeat, but L.M. Montgomery’s Life Was Less So." Stoffman writes about the stark contrast between the happy endings Montgomery wrote for her "plucky heroines" and her own turbulent life.

Stoffman writes,

"In her 21 books of fiction, Lucy Maud Montgomery always provided a happy ending. Her plucky heroines, the red-haired orphan Anne Shirley the most famous among them, somehow manage to seize their opportunity to love, to marry, to find acceptance in their community after vanquishing controlling mothers, gossipy neighbours, manipulative suitors, bullying fathers, cruel grandmothers, false friends, negative aunties - the whole nasty army of discouraging, judgmental, energy-sapping naysayers bent on undermining the dreams and ambitions of the young.

Yet a happy ending eluded the lively, intelligent and hard-working Montgomery herself, who lived what may be the most tragic life of any Canadian writer and died an addict to prescription medications at the age of 67, in 1942."

Stoffman writes about the new information provided by Rubio's biography, which examines Montgomery's early life, schooling, romances, career, marriage, relationships, and children.

"Five volumes of her diaries were published by Oxford University Press beginning in 1985, but the full extent of her suffering and disappointments has not been known until Mary Rubio's Lucy Maud Montgomery: The Gift of Wings (Doubleday Canada, 684 pages, $39.95). Montgomery had carefully shaped and revised her diaries throughout her life, deleting the most shameful facts. Rubio, now an emeritus professor of English at the University of Guelph, spent 30 years researching her magisterial biography and has filled in all the gaps."

According to Stoffman, Rubio's new biography puts L.M. Montgomery's life in context and considers the radical shifts following WWI, including the changes in literary tastes, psychiatric treatments, and views of religion. Rubio's extensive research shows how Montgomery's life was affected by societal, cultural, and personal factors, providing a nuanced and thorough portrait of the author.


Reference:
Stoffman, Judy. (2009, January 17). Beyond the Red Haired Girl: Her Fiction May Be Upbeat, but L.M. Montgomery’s Life Was Less So. National Post. Retrieved from: http://www.financialpost.com/scripts/story.html?id=1186069

Anne of Green Gables Valentines - Set 3

Here's a third set of Anne of Green Gables Valentines to give to your kindred spirits, friends, classmates, and loved ones. Save the Anne-inspired Valentines shown below. Then print the Valentine cards out on cardstock paper in landscape mode, cut them out, and share them!



To design this set of Anne of Green Gables Valentines, I used public domain images, public domain clipart from Antique Clipart, and an image of Gilbert Blythe and Anne Shirley from Sullivan Entertainment's production of Anne of Green Gables: The Sequel (1987).

Download and print more Anne of Green Gables Valentines here: Set 1, Set 2, and Set 4.

Created January 16, 2009, Re-posted online January 24, 2024. Last updated January 26, 2024.
© worldofanneshirley.com

Who is Your Fictional Crush?

Might it be Gilbert Blythe or Anne Shirley?

I read a fun article on literary crushes by Alison Flood at The Guardian today that mentions Gilbert Blythe from Anne of Green Gables. Flood describes a petition that was launched in Japan to legalize marriages between humans and cartoon characters. Flood writes, "it made me wonder which fictional character I'd marry, legal niceties permitting. As a teenager I'd have plumped for any of the Georgette Heyer heroes (particularly the Earl of Rule), or Jilly Cooper's Rupert Campbell-Black, or Rhett Butler. Before those days I had quite a crush on Gilbert from Anne of Green Gables and Laurie from Little Women."

Do you have a fictional crush? If so, who is it? L.M. Montgomery's Gilbert Blythe is surely on my list. And I know from my many years on the Anne of Green Gables Forum that Jonathan Crombie's Gilbert makes many women swoon. We joked for years there about solid chocolate Gilbert dolls.


Reference:
Flood, Alison. (2008, October 30). Who is your literary crush? The Guardian. Retrieved from: https://www.theguardian.com/books/booksblog/2008/oct/30/literary-crush-alison-flood

Image credit:
Photograph of Jonathan Crombie as Gilbert Blythe and Megan Follows as Anne Shirley in Anne of Green Gables: The Sequel © Sullivan Entertainment

Created October 31, 2008. Re-posted online April 19, 2024. Last updated April 19, 2024.
© worldofanneshirley.com

100th Anniversary Anne of Green Gables Coin

On April 16, 2008, the Royal Canadian Mint released a special Anne of Green Gables coin on the 100th anniversary of the publication of L.M. Montgomery’s novel. The coin is presented in a illustrated full color folder with an illustration of the Green Gables house by Christopher Kovacs shown above. The 25 cent coin is a beautiful collector’s piece with a multicolor image of Anne Shirley by Ben Stahl on the reverse side and an effigy of Queen Elizabeth II on the obverse side.

Here's an image showing the back of the coin presentation folder:

The Anne of Green Gables coin is described as follows:

"This magnificent 35mm nickel plated steel coin celebrates the literary heroine Anne Shirley with a beautiful painted portrait reflecting her colourful, melodramatic nature. One can easily imagine Anne on the red shores of Prince Edward Island looking out to sea with romantic longing, her blue dress, straw hat and wildflowers so characteristic of 19th-century island life. Based on an original image by Ben Stahl."

"In 1908, an unassuming novel by L.M. Montgomery of Prince Edward Island captivated the world with its heartwarming tale of Anne Shirley, an irrepressible orphan girl who enchants the island’s quiet community of Avonlea with her vivid imagination and endless mishaps. Published in over 20 languages and now 100 years in print, this story continues to delight and charm."

Created July 2, 2008. Re-posted online June 13, 2022.
© worldofanneshirley.com

100th Anniversary Anne of Green Gables Stamps

On June 20, 2008, Canada Post and Japan Post jointly released special Anne of Green Gables stamps on the 100th anniversary of the publication of L.M. Montgomery's novel. The dreamy portrait of Anne Shirley is by Ben Stahl, and the painting of the iconic Green Gables house is by Christopher Kovacs. The sweet animated drawings of Anne Shirley, Matthew Cuthbert, Diana Barry, Gilbert Blythe, and Marilla Cuthbert are from the anime series Anne of Green Gables (1979) aka Akage no An by Nippon Animation, which was part of the World Masterpiece Theater series.

Canada Post also issued a souvenir sheet with a set of two 52¢ Anne of Green Gables stamps to commemorate the occasion with artwork by Ben Stahl and Christopher Kovacs.



The following wonderful article was published by Canada Post upon the release of the stamps with biographical information on L.M. Montgomery, a description of her beloved Prince Edward Island, and details on the artwork, digital illustration, and stamp design:

Issued: June 20, 2008

Article published in

Canada's Stamp Details (Vol. XVII No 2; April to June 2008)

It's hard to believe that the irrepressible Anne Shirley might have lain hidden in a hat box forever. When Lucy Maud Montgomery completed her first novel in 1905, she received several rejections from publishers, so she put the story away. But Anne, with characteristic persistence, must have tugged at her imagination. A few years later, Montgomery retrieved the novel and sent it out again. Anne of Green Gables was finally published in Boston in 1908, to immediate success.

One hundred years later, Anne and her story are featured on a pair of domestic rate (52¢) stamps issued by Canada Post to celebrate the novel's centennial. The stamp images are based on original artwork officially authorized by The heirs of Lucy Maud Montgomery and the Anne of Green Gables Licensing Authority Inc. The painting of Anne was created by Ben Stahl, and that of her beloved Green Gables house by Christopher Kovacs.

"Anne is such a unique character, so full of life and so inspired by nature," says designer Dennis Page. "These paintings represent her story well-the images are surrounded by nature, and Anne appears lost in her thoughts."

Anne's name, he notes, is printed on the stamps in a typeface as personal and expressive as she is. Page also worked with digital illustrator Mike Little on a unique frame for the two images, which serves as a subtle reminder that Anne's famous story is actually a work of fiction. "The stamp frames are meant to resemble the pages of a book printed in 1908, with deckle edges and an original look and feel."

Even Montgomery said she never felt quite truthful admitting that this vibrant red-headed girl was indeed a fictional character. Although Anne of Green Gables was her first novel, Montgomery had been writing poems and stories since childhood, inspired by her life on Prince Edward Island. Born in 1874, she was not even two when her mother died of tuberculosis and she was sent to live with her grandparents in Cavendish, a town later made famous as Avonlea. She grew up immersed in nature and Anne's scenic descriptions of Avonlea are drawn from Montgomery's own experiences of living in Cavendish where she was enchanted by the orchards, woods and beaches. Montgomery once wrote, "Everything was invested with a kind of fairy grace and charm, emanating from my own fancy, the trees that whispered nightly around the old house where I slept, the woodsy nooks I explored, the homestead fields, each individualized by some oddity or fence or shape, the sea whose murmur was never out of my ears - all were radiant with 'the glory and the dream'...amid all the commonplaces of life, I was very near to a kingdom of ideal beauty."¹ Montgomery continued writing while training and working briefly as a teacher, and was earning a comfortable income from her published work even before the success of Anne of Green Gables. Eventually she married and moved to Ontario, but her heart and imagination stayed on the Island.

The house known as Green Gables is now a national historic site, with an operational period-style post office. Montgomery never actually lived there, but it was home to relatives, and she often explored the surrounding property. The setting clearly inspired her-the landscape near Cavendish is as vivid a character in her books as any other. To recognize this special place as uniquely Canadian, the souvenir sheet bears a maple leaf die perforation between the two stamps.

The Cavendish connection is featured on a souvenir sheet official first day cover (OFDC), and on two additional OFDCs, each bearing double cancels-one real (Cavendish PE) and one fictional (Avonlea PE).

Anne has captured the imaginations of girls around the world and her story has a special history for many Japanese. Anne first arrived in Japan in the 1930s with Canadian missionary Loretta Shaw. When Shaw left the country at the start of the Second World War, she gave a copy of the novel to her friend Hanako Muraoka, who translated it as Akage no An, literally "Anne of the Red Hair". After the war ended, Japanese education officials were eager to introduce children to Western texts, and Muraoka suggested the novel. In 1952, it was included in the school curriculum, and it has been well loved by generations of students ever since. Today, thousands of Japanese travel to Cavendish each year to visit Anne's fictional home.

Despite its distinctly Canadian setting, Anne of Green Gables belongs to the world. The story has captured the imaginations of readers in many languages and countries. "In Japan, readers have formed a fan club called the 'Buttercups,' named for Anne's favourite flower," says Joy Parks, Research Officer, Stamp Services, at Canada Post. Buttercups appear on the floral envelope seals included with the stamp booklet, part of a collection of flowers reproduced from the paintings depicted on the stamps. Like the wildflowers that return to bloom each spring, Anne lives on in the imagination of her readers, as real today as when she was first published.

Additional information is available on the following websites:
www.gov.pe.ca/lmm
www.lmmontgomery.ca

¹ Stan Sauerwein, Lucy Maud Montgomery: The Incredible Life of the Creator of Anne of Green Gables (Canmore, Alberta: Altitude Publishing Canada Ltd.) 2004, p. 22-23.

Created June 30, 2008. Re-posted online November 18, 2022. Last Updated January 20, 2024.
© worldofanneshirley.com

Aunt Susanna's Thanksgiving Dinner

After spending many hours searching through microfiche in my university's library, I rediscovered an 100-year-old short story by L.M. Montgomery. The story is called "Aunt Susanna's Thanksgiving Dinner," and you can read it here exclusively. "Aunt Susanna's Thanksgiving Dinner" was originally published in 1907 in The Housewife, the year before Anne of Green Gables was published. To my knowledge this story has never been republished since.

The story is about four sisters: Laura, Kate, Margaret, and Agnes, who narrates the tale. Each girl has her own ambitions. Laura wants to be an artist, Kate plays the violin, Margaret wants to get a college education, and Agnes wants to be a writer. Aunt Susanna faintly approves of Margaret's desire for an education, but disapproves of the artistic, musical, and literary goals of her other three nieces. The sisters try to please Aunt Susanna, hoping their wealthy aunt will send Margaret to college.

The story begins when Aunt Susanna arrives at her nieces's home. She's full of criticism, but also needs a favor. She is in a bind, and must travel from town to visit a sick relative. She needs the girls to prepare Thanksgiving dinner for her and Mr. and Mrs. Gilbert upon their return home. Agnes has just told Aunt Susanna that she's a good cook, so she feels she must agree to prepare the meal. With trepidation, Agnes says she will cook dinner, and Kate volunteers to help her.

Despite the their best efforts, Agnes and Kate's Thanksgiving preparations turn out to be a disaster. Will they be able to save Thanksgiving and win Aunt Susanna's approval?

Read the original scanned story text below or download a PDF version here:





Updated to add: Long after I posted this story on my website, it was gathered into another collection online.

Reference:
Montgomery, L.M. (1907, November). Aunt Susanna's Thanksgiving Dinner. The Housewife. pages 5 and 14.

Created October 2, 2007. Re-posted online November 24, 2022. Last updated November 24, 2022.
© worldofanneshirley.com

Anne of Windy Poplars (1940) Screening

The Museum of Modern Art (MoMA) in New York City is showcasing a film exhibition called "A View from the Vaults: Warner Bros., RKO Pictures, and First National Pictures, Inc." from February 9–24, 2007. This exhibition includes a screening of Anne of Windy Poplars (1940) on Saturday, February 10, 2007 at 3:45 p.m.

The film series includes a "selection of ten enduring films produced by Warner Bros., RKO Pictures, and First National Pictures, Inc., from 1938 through 1949. These films were all recently acquired by the Museum."

"A View from the Vaults" is organized by Anne Morra, the Assistant Curator in the Department of Film.

Here are the descriptions of the 10 featured films:

Jezebel. 1938. USA. Directed by William Wyler. Screenplay by Clements Ripley, Abem Finkel, John Huston, based on the play by Owen Davis. With Bette Davis, Henry Fonda. Davis won an Oscar for her iconic portrayal of Julie Marsden, a woman whose assertion of independence is tragically misunderstood in 1850s New Orleans. Larger than life, Julie sets out to win back her lost social standing—but only on her own terms. 104 min. Friday, February 9, 5:45; Saturday, February 17, 6:00. T1

Gunga Din. 1939. USA. Directed by George Stevens. Screenplay by Joel Sayre, Fred Guiol, based on a story by Ben Hecht, Charles MacArthur, adapted from the poem “Gunga Din” by Rudyard Kipling. With Cary Grant, Victor McLaglen. This account of the tragicomic exploits of three members of the French Foreign Legion and their fight against the corrupt Guru in India was voted to the National Film Registry in 1999. 117 min. Saturday, February 10, 1:30; Wednesday, February 21, 6:00. T1

Anne of Windy Poplars. 1940. USA. Directed by Jack Hively. Screenplay by Michael Kanin, Jerry Cady, based on the novel by L. M. Montgomery. With Anne Shirley, Patric Knowles. A follow-up to Anne of Green Gables (1934), this film follows a grown-up Anne as she moves to the remote Canadian town of Pringleton and builds a new life as a teacher at a small provincial school. 86 min. Saturday, February 10, 3:45. T1

They Drive by Night. 1940. USA. Directed by Raoul Walsh. Screenplay by Jerry Wald, Richard Macaulay, based on the novel The Long Haul by Albert Isaac Bezzerides. With George Raft, Ida Lupino. Brothers Joe and Paul Fabrini haul produce from farms in northern California to Los Angeles. They refuse to drive for anyone else, and attempts are made to intimidate them into joining a ruthless competitor’s business. 95 min. Saturday, February 10, 5:30; Monday, February 19, 8:30. T1

The Man Who Came to Dinner. 1942. USA. Directed by William Keighley. Screenplay by Julius J. Epstein, Philip G. Epstein, based on the play by George S. Kaufman, Moss Hart. With Monty Woolley, Bette Davis. Radio personality Sheridan Whiteside slips and falls on an icy sidewalk in front of the home of a prominent Ohio family. With a broken leg, he cannot be moved—and soon the meddlesome Whiteside is interfering with the lives of his hosts. 113 min. Sunday, February 11, 5:00; Monday, February 19, 6:00. T1

Action in the North Atlantic. 1943. USA. Directed by Lloyd Bacon. Screenplay by John Howard Lawson, based on the story “Heroes without Uniform” by Guy Gilpatric. With Humphrey Bogart, Raymond Massey. In this WWII thriller, Lieutenant Joe Rossi (Bogart) must navigate through enemy-filled waters on the perilous journey from Halifax to Murmansk. 128 min. Monday, February 12, 6:00; Saturday, February 24, 2:00. T1

The Corn Is Green. 1945. USA. Directed by Irving Rapper. Screenplay by Casey Robinson, Frank Cavett, based on the play by Emlyn Williams. With Bette Davis, Nigel Bruce. Schoolteacher Lily Moffat is determined to change the primitive education system in her tiny Welsh mining town. The townsfolk oppose her innovative pedagogy, but they cannot deter Lily from her efforts. 114 min. Monday, February 12, 8:30; Friday, February 16, 5:45. T1

Murder, My Sweet. 1945. USA. Directed by Edward Dmytryk. Screenplay by John Paxton, based on the novel Farewell My Lovely by Raymond Chandler. With Dick Powell, Claire Trevor. Private eye Philip Marlowe is hired to find the missing girlfriend of an ex-convict. This must-see thriller, steeped in film noir atmosphere, features the disappearance of a dame and some dirty double-crossing—not to mention the iconic stature of Marlowe himself. 95 min. Wednesday, February 14, 6:00; Saturday, February 17, 2:00. T1

Flamingo Road. 1949. USA. Directed by Michael Curtiz. Screenplay by Robert Wilder, Edmund H. North, based on the play by Robert Wilder, Sally Wilder. With Joan Crawford, Zachary Scott. Crawford plays Lane Bellamy, a woman with an unfavorable reputation who attempts to climb the social ladder in a sinister Southern town run by a corrupt political boss. 94 min. Wednesday, February 14, 8:00; Saturday, February 17, 4:00. T1

Mighty Joe Young. 1949. USA. Directed by Ernest B. Schoedsack. Screenplay by Ruth Rose, based on a story by Merian C. Cooper. With Robert Armstrong, Terry Moore. For twelve years Jill Young has tenderly nurtured her pet gorilla Joe in Tanzania. When a Hollywood promoter arrives and convinces Jill to bring Joe to Tinseltown, the trouble begins. Winner of the 1950 Academy Award for Best Special Effects. 94 min. Thursday, February 15, 6:00; Wednesday, February 21, 8:30. T1

Please visit the MOMA website for further details.

Thank you to Julia Crimmins for sending along this news.

Image credit:
Anne of Windy Poplars (1940) film poster featuring Patric Knowles and Anne Shirley, RKO Pictures.

Created January 21, 2007. Re-posted online June 9, 2022. Last updated June 9, 2022.
© worldofanneshirley.com